Run a Paid Writer Trial
Portfolios show a writer at their best after somebody else edited them, which is why hires that look strong on samples file drafts that need rewriting. Unpaid test pieces select for people with spare time rather than skill, and requests for free samples are correctly refused by the writers you most want. The test that works is a small paid commission on a real backlog topic, briefed exactly as you brief live work, scored against criteria written before the draft lands.
CATEGORY
Content production
FORMAT
writer-trial-commission.md
WHEN TO REACH FOR THIS
Use when hiring a freelance writer and portfolio samples are not telling you whether they can do your work.
The skill file
writer-trial-commission.md
---
name: writer-trial-commission
description: Use when hiring a freelance writer and portfolio samples are not telling you whether they can do your work.
---
# Run a Paid Writer Trial
Portfolios show a writer at their best after somebody else edited them, which is why hires that look strong on samples file drafts that need rewriting. Unpaid test pieces select for people with spare time rather than skill, and requests for free samples are correctly refused by the writers you most want. The test that works is a small paid commission on a real backlog topic, briefed exactly as you brief live work, scored against criteria written before the draft lands.
## What you need first
- a real topic from your backlog that you would publish anyway, not an invented test subject
- the same brief you would hand an existing writer, proprietary facts included
- budget to pay the commission at your normal rate
- scoring criteria written and agreed before you read a word of the draft
## Method
1. Pick a live topic of ordinary difficulty. A deliberately hard topic tests nothing you need to know and a trivial one is passed by every candidate.
2. Brief them exactly as you brief current writers, supplying the proprietary material. Withholding it to see whether they cope tests their guessing, not their writing.
3. Write the score sheet before the deadline: does it answer the reader decision, were the supplied facts used, was the format constraint followed, how much editing would it need. Criteria written after reading always rationalise a first impression.
4. Score editing effort in minutes rather than rating quality. Minutes to publishable is the number that decides whether the relationship is affordable at your rate.
5. Send one round of genuine edit notes and read what comes back. Response to editing predicts the working relationship far better than any first draft.
6. Ask where anything you did not supply came from. A writer who cannot name a source for a statistic will cost you a correction later.
7. Pay for the piece whichever way you decide, and publish it if it is good. A paid trial you go on to use is simply a commission, and it keeps you hireable in a small market.
## What this produces
A scored trial commission carrying a minutes-to-publishable figure, a note on edit response, and a hire or decline decision.
## Where this goes wrong
- Testing on a topic nobody intended to publish, which spends the budget and gives the writer no reason to take it seriously
- Deciding on the first draft alone, when the post-notes second draft is what you will actually live with every week
- Scoring prose polish while ignoring whether the brief was followed, which hires a stylist who needs managing on every piece
---
From the QuQi skill library - https://www.quqi.io/skills/writer-trial-commission
Free to download · no account, no email
What you need first
-
a real topic from your backlog that you would publish anyway, not an invented test subject
-
the same brief you would hand an existing writer, proprietary facts included
-
budget to pay the commission at your normal rate
-
scoring criteria written and agreed before you read a word of the draft
Method
-
01
Pick a live topic of ordinary difficulty. A deliberately hard topic tests nothing you need to know and a trivial one is passed by every candidate.
-
02
Brief them exactly as you brief current writers, supplying the proprietary material. Withholding it to see whether they cope tests their guessing, not their writing.
-
03
Write the score sheet before the deadline: does it answer the reader decision, were the supplied facts used, was the format constraint followed, how much editing would it need. Criteria written after reading always rationalise a first impression.
-
04
Score editing effort in minutes rather than rating quality. Minutes to publishable is the number that decides whether the relationship is affordable at your rate.
-
05
Send one round of genuine edit notes and read what comes back. Response to editing predicts the working relationship far better than any first draft.
-
06
Ask where anything you did not supply came from. A writer who cannot name a source for a statistic will cost you a correction later.
-
07
Pay for the piece whichever way you decide, and publish it if it is good. A paid trial you go on to use is simply a commission, and it keeps you hireable in a small market.
What this produces
A scored trial commission carrying a minutes-to-publishable figure, a note on edit response, and a hire or decline decision.
Where this goes wrong
-
Testing on a topic nobody intended to publish, which spends the budget and gives the writer no reason to take it seriously
-
Deciding on the first draft alone, when the post-notes second draft is what you will actually live with every week
-
Scoring prose polish while ignoring whether the brief was followed, which hires a stylist who needs managing on every piece
Use this skill in your own AI
The download is a plain markdown file with the name and trigger in its frontmatter. Where an assistant supports skills it can load itself, that frontmatter is what it reads to decide this one applies.
Claude Code
Save it as ~/.claude/skills/writer-trial-commission/SKILL.md and Claude loads it on its own when what you are doing matches the trigger line. Put it in .claude/skills inside a project instead if the whole team should have it.
Claude
Upload the file in the skills section of your settings. Once it is there it applies itself in any conversation where the trigger fits, so you do not have to remember it exists.
ChatGPT
There is no skills format to install into, so paste the file contents into a Project instruction or a Custom GPT instead. It then applies to every chat in that project rather than only the one you paste it into.
Anything else
Paste the markdown into the chat before your question. It works in any assistant, it just has to be pasted again each time.
Questions about this skill
When is a paid trial the right test rather than judging the portfolio?
When samples are not telling you whether the writer can do your work. Portfolios show a writer at their best after somebody else edited them. Unpaid test pieces select for people with spare time, and the writers you most want correctly refuse them. A small paid commission on a real backlog topic, briefed as you brief live work, is the test that predicts anything.
What do I need ready before commissioning the trial?
A real backlog topic you would publish anyway, the same brief your existing writers get including the proprietary facts, budget at your normal rate, and scoring criteria written before the draft lands. Criteria written afterwards rationalise a first impression. Withholding the proprietary material to see how they cope tests their guessing rather than their writing.
What do I end up with, and which part decides the hire?
A scored commission carrying a minutes-to-publishable figure, a note on how the writer handled edit notes, and a hire or decline decision. Minutes to publishable is the number that settles whether the relationship is affordable at your rate, and it beats any quality rating. The response to one round of genuine notes predicts the working relationship better than the first draft.
What goes wrong most often, and what does it cost?
Testing on an invented topic nobody meant to publish. It spends the budget, gives the writer no reason to take it seriously, and leaves you with nothing to run. Deciding on the first draft alone is the other one, because the post-notes second draft is what you will live with every week and some strong first drafts do not survive editing.
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